The depth of my longing for you
destroys me.
How do you kill so beautifully?
What madness
have you lit inside my veins, etching
my walls and stars with ruin?
I am become the ages
filled with echoes of unfulfilled
desire.
The depth of my longing for you
destroys me.
How do you kill so beautifully?
What madness
have you lit inside my veins, etching
my walls and stars with ruin?
I am become the ages
filled with echoes of unfulfilled
desire.
If I could write to you of sorrow, if I could explain this devastation,
I’d use words like utterly, and calamity, and grief.
But the words refuse my bidding, choosing to cloak themselves in darkness and half formed thoughts instead.
They shuffle off their course like drunken sailors, lose their way somewhere between half-hearted and dejected.
With quivering chins and sagging limbs, I’ve not the strength to make them dance
to fool a broken heart into being
prettier than it ever is.
One of the most beautiful and relevant poems I have read.
.
.
.
For the woman gangraped by the tribe of Benjamin.
Silent you were. You were
silenced. Not a word given you
in the whole merciless narrative.
Not a movement credited you
except one: prelude to the tale,
you returned to your father’s house
for four months. And one more
movement: footnote at the end,
you reach forward a hand.
Between that you are moved
as a pawn by primary players.
Nameless you are. You were
unnamed, called “concubine” and
“slave-woman” . Your “master”
was honoured as a “son-in-law”
yet you were no wife.
The whole story you travel between and with
the men meant to protect you. Father. Master (husband). Host.
They brutally betray you.
Father and son-in-law dine nightly
feast again and again, the two of them
then he takes you and “his other servant”
departs. Arrive in Gibeah.
Dialogue between master and servant.
Dialogue between master…
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